1\/ Write at the same time, in the same place. Every day.<\/span><\/strong> Otherwise, write for as long as possible, whenever and wherever possible. Give yourself a minimum quota \u2013 VS Naipaul writes only 200 words a day, Stephen King writes an average of 4,000 words. Figure out your comfort zone and push for 15% more. Do timed writing as an exercise. Try writing for ten minutes non-stop. Increase it to twenty. See what happens.<\/p>\n 2\/ Suspend judgment and go through your fear. <\/strong>Allow yourself to write, even if it’s shit and you end up throwing it out. And believe me, sometimes you will. Writing is by definition the process of self-discovery. <\/span><\/em>Breathe life into your writing by going through your fear rather than avoiding it. The more you avoid fear, the more it crops up. All fear stems from the unknown. By making your fear known to yourself, you are dispelling its power. When you are a writer it is more frightening (and self-punishing) not to write than to write.<\/p>\n 3\/ Put your \u201ccritic\u201d in jail, for life. <\/strong>Note: the critic does not deserve a capital \u201cC\u201d here or in your writing life. The critic doesn\u2019t write. He or she thrives on being critical and only becomes taller by making you feel smaller. The \u201ccritic\u201d is that voice in your head that stops you by telling you things like \u201cyou\u2019re not good enough, you\u2019ll never be good enough, the reviews will be lousy, you are a hack, yadi yadi ya, etc. etc.\u201d Do not stand for any of this. Be relentless. Give your critic a life sentence and never allow him or her out on parole. You may, however, forgive your critic, because all writers are by nature perfectionists. While you write, suspend judgment<\/span><\/em>. This is not to be confused with \u201cnot editing.\u201d Simply allow yourself to write \u2013 on good days, but especially on bad days.<\/em> Some of the best writing is done on bad days<\/em>. Really.<\/p>\n 4\/ Never write drunk or high.<\/strong> If you are lonely it isn\u2019t because you are a writer.<\/strong> It is because you are a writer who is not writing.<\/strong> Don\u2019t romanticize those so-called \u201cwriter\u201d states. In my opinion, no one ever writes anything worth reading when toasted. If you have a substance abuse problem, get help immediately. It will do wonders for your writing, if not instantly, then certainly long term.<\/p>\n Most writing is done alone. Occasionally you will write in a \u201cwriter\u2019s group\u201d in unison with other writers. However, even then, you are still writing your own words on paper, solo. Notice that once you write, you never really feel alone. Feel the smoothness of the paper beneath your hand, the feel of the pen gliding or stumbling, the memory of a place you never knew you knew so well, the mysterious future that unfolds with each word. It is the alienation of writers who do not write and or their personal life that is lonely, not the writing life. The best way to deal with your loneliness is to write. Breathe in and out as you write.<\/p>\n 5\/ Revise, edit and close your door until you\u2019re ready to open it. <\/strong>I repeat. Revise and edit. That means you practice getting better and better. Just like biking, or playing an instrument, or making love. Draft one of most stuff is well…let’s just say it’s draft one. Work alone without soliciting anyone else\u2019s opinion, until you feel you are ready to open the door.<\/p>\n You will know in your gut when the time has come to open that door. Do not hold onto the work once you feel you have a completed manuscript. This does not mean that you will not need to revise again. It just means that you are ready to have some distance from your work. Put the manuscript away or show it to someone you trust. Don\u2019t solicit their opinion about it for at least three to six weeks. Go back and reread your manuscript as if another writer wrote it. Make changes only if necessary. Learn to leave well enough alone. Learn to rework when necessary. How will you know if it\u2019s necessary? You\u2019ll know. Listen.<\/p>\n 6\/ Create a sacred space<\/em> for writing<\/strong> that is totally and completely your own.<\/strong> Ideally this room has a door and at least one window. Have the tools that you need \u2013 pen, paper, typewriter or computer and printer \u2013 everything that you need, including space for your manuscripts. Don\u2019t do your bills at the same desk if you can help it. Do not share your writing space with anyone or allow any intruders in your space. That includes the missus, the man of your dreams, holy and unholy children, your dog, your pet bird, your shrink. Even your mother. Find your place and sit in the comfort of its center.<\/p>\n 7\/ Read.<\/strong> Great writers read other great writers. That’s one way we learn how to become great.<\/p>\n 8\/ Copy, steal, and emulate the greats \u2014 but never plagiarize.<\/strong> All writers are influenced knowingly and unknowingly by what other writers have accomplished. Be humble. You are lucky because many others have traveled this road before you and are invisible and visible guides. Tap into their energy, strength, and wisdom.<\/p>\n Stretch. You widen your horizons by stretching yourself in different directions. For example: try writing the same piece as seen by two different people. Or write the same story in a different tense. See what happens. Revise it, if it doesn\u2019t work. Don\u2019t get discouraged. Your worst pieces often lead the way to your best pieces.<\/p>\n 9\/ Listen, eavesdrop and stare.<\/strong> Great material is everywhere. On the bus. At the diner when you’re getting a cup of coffee. In bed, with your lover. In bed, when alone. In your dreams. When you’re riding a bike or walking your dog. Listen to your thoughts and everyone else’s. See life. More than 80% of our thinking and feeling process is through our eyes. That\u2019s why the expression\u2026\u201da picture is worth a thousand words\u201d resonates. Great writing always paints an accurate \u201cpicture\u201d of events and our inner workings.<\/p>\n 10\/ Be kind to yourself and to other writers.<\/strong> Writers are hardest on themselves. When you allow yourself to enjoy the process even on less creative days, you allow yourself the freedom to experiment and discover what works and what doesn\u2019t. Don\u2019t worry if something doesn\u2019t work. You can always throw it out, revise it, edit, or start completely anew.<\/p>\n Never disrespect or hurt another writer, whether you think they’re great or lousy \u2014 especially if they’re lousy. Even the best writers write poorly some of the time. In fact, if you help other writers, it will come back to you tenfold.<\/p>\n Give interviews, answer questions and talk to other writers. Do not consider your process a secret<\/em>. Help others by sharing your views, what you have learned, where and when you stumbled. I recently read an interview with I. B. Singer \u2013 and his words had a profound effect on my current work. It\u2019s as if he came back from the dead just to help me. His words resonate and sound true. Thank you, thank you I.B. Singer! To paraphrase Natalie Goldberg from \u201cWriting Down The Bones\u201d \u2013 writers are carried on the backs of other great writers who have preceded them. We do not exist in a vacuum. We are connected through the Word \u2013 regardless of what language we are writing in.<\/p>\n 11\/A<\/em> Do everything in your power to get published*.<\/strong> Correction. Get published! even if you have to stand on your head. Writing stuff and letting it collect dust in a drawer won’t do you or anyone else any good. Even Emily Dickinson (God rest her soul) finally gave her wonderful gift to the world only once she got published. Writing is communication and — as Stephen King puts it in his book \u201cOn Writing\u201d– telepathy. Communicating with thin air is meaningless, unless all you want to accomplish is to scrimp on therapy. Listen to your agent and your editors. Be polite even if you don’t agree. Consider that they may be right. Often, you’re too close to see things clearly. Agents and editors can also be wrong. In which case you’ll have to work together, edit and rewrite. They are not doing this to torture you. When you succeed, they succeed. Listen, show respect and be polite, even when you don\u2019t agree. Don\u2019t burn bridges. Ultimately, it\u2019s your work. If you still don\u2019t agree, reserve the right to do as you please with it. However, realize that you always have to face the consequences of your choices \u2013 both good and bad.<\/p>\n 11\/B <\/em>* Don\u2019t stop writing, even if you don\u2019t get published.<\/strong> While the intent of being published is important, the outcome should not determine if you continue to write or not. If you are a writer, your job is to write, regardless of your success. Remember, Kafka was not successfully published in his lifetime, and Van Gogh was too poor to buy paints for his canvases. Both are now considered giants in their respective fields. Write for the love of writing and because it helps you focus and express yourself. Let your words float on the wind. Like seeds they will find fertile ground. Have Faith.<\/p>\n 12\/ Join the writer’s union.<\/strong> Go on retreats. Attend seminars. Compare notes with other writers. Join a writer\u2019s group, if it is supportive. By definition, writing is done alone, but it isn’t lonely. It’s just how it’s done. Writing material, however, necessitates that you spend time with other people. You can go to writing school, but don’t expect it to be the magic wand. There is no substitute for sitting down and putting words on paper. <\/em><\/span><\/p>\n 13\/ If you decide to use a pseudonym, choose it carefully and with love. <\/strong>Names are powerful manifestations of who we are. Breathe life and love into yours. Note: Mark Twain, Isaac Bashevis Singer, Tony Morrison, and many more who reinvented themselves through their writing and also with the help of a new (sometimes ancient) name. Read \u201cThe Language of Names\u201d by Justin Kaplan and Anne Bernays.<\/p>\n 14\/ See yourself as a writer who earns a living and<\/strong> use spell check.<\/strong> Writing is a life calling and a vocation. It is work (though it may not feel like work because you love it), and like all work, you need to get paid for it. You deserve it. However, in order to earn it, you must show up<\/strong><\/em>\u00a0at the office or (in your case) at your desk. Many of us look at work as tedious. When my writing isn’t going well, it’s hell. But, when I’m writing well I lose track of time. If you follow your life’s path, it doesn’t really feel like work, though you may work very hard at it. Savor the moments of joy. More often there are moments of despair and frustration. Keep writing. Go through it, knowing that this is just a bump in the road. Believe that your writing is worth reading and you will have readers \u2013 who will pay for your books. Don\u2019t worry about the money. The money eventually comes. Believe. Believe. Believe.<\/p>\n Even the best writers are too close to their writing to proof their own manuscripts. Use the spell check on your computer or get a proofreader. Ideally, you should have a professional copy-editor proof your manuscript before you send it out.<\/p>\n 15\/ Write. Pray. Be grateful.<\/strong> It doesn\u2019t matter if you are religious or not. Even atheists and agnostics feel a greater power at work when they are writing. Great writing is about making a spiritual connection and this only comes with great faith and the awareness that you were given a great gift you are meant to share with others.<\/p>\n Do you still want to write? If the answer is YES \u2014 what are you waiting for \u2014 start writing. Keep writing, and never, never, never, give up!<\/p>\n All my best,<\/p>\n
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